Vertical Diamonds quilt from 2012 is finally finished

A Long-term UFO finally is finished!

Long before October 2012, I had accumulated a collection of brown and red "vintage-y" looking squares, about 7" big.   I made a few quilt tops with those squares.  At the time of this writing (2021), I'm thinking that I had pieced those tops both by machine and by hand (as a Forever Project).

In October 2012, I finished one such hand-pieced top, which I called Vertical Diamonds because the top was a set of diamonds, set in columns.   Truly, an original inspiration.  :-)

Seeing as I had put a LOT of time into the hand-piecing, I decided I wanted it to be hand-quilted, as well.  My major road block is that I do not hand-quilt.  I've done only a handful of small hand-quilted items and that was more than enough for me.  I nearly drove myself mad with boredom.

However, I like solutions, not problems.  I bartered with a hand-quilting friend of mine .... I would piece a top for her and she would hand-quilt my top.

In 2016, my friend completed the hand-quilting, much to my utter delight!  But, being the Master of Procrastination that I am, it took until now, April 2021, to get that top labeled and bound. 

Yeah, I'm a complete lamer.  :-)

I've actually made a web page to document this quilt .. will wonders and miracles never cease?

That was just a teaser for you! Please wander on over to Vertical Diamonds for more, detailed pictures and verbiage.

Deco Garden: border blocks DONE! floral block #47 DONE!

O.M.G.  I almost can't stand it.

The 28 border blocks with their accent circles

In my last post, I mentioned that I have completely, totally, absolutely, positively FINISHED all the border blocks for the Deco Garden Forever Project™!  That's 4 sides of the quilt .... 7 blocks per side .... for a total of 28 border blocks and a total of 112 small accent circles.

The 4 corner blocks and their accent circles

And then I remembered .... I had kinda/sorta forgotten about the corner blocks.  Oops.    I prepped those blocks, made the 24 MORE small accent circles and got everything stitched down.

As with all things, this was finally accomplished and with that ... YES!  WOO HOO, YES!  My border blocks AND corner blocks have been completed. 

I am mentally exhausted.

Bonus Block 49: Cyclamen

However, there is no rest for the wicked and my floral blocks still have some designs left to do.

This block is Bonus Block #49 (Cyclamen) from Reeze Hanson's "Deco Garden" patterns. 

It is the 47th floral block to be done.  TWO MORE FLORAL BLOCKS TO GO!!   Boy, I am rapidly approaching the end of the tunnel.

Deco Garden: bonus block 37, border blocks, and cornerstones

My focus lately has been on my heritage scrapbook albums. 

I finished one maternal line of my husband's, going back as far as I could reasonably verify, which was to a gentleman named Andrew Watson Robertson, born in 1825 in Ohio.  I can't go back further because I can't *absolutely* nail down Andrew's parents.  I have a hint on a Census that they might be in South Carolina but Census records from 1840 and earlier only *tally* the number of people in a household.  It doesn't give names or relationships or any details.  So although there are a number of "Robertsons" in South Carolina in the 1840 Federal Census, I can't definitively tie any of them to having a son named Andrew Watson Robertson.

This is excessively annoying because you KNOW the parents are out there ... I just can't definitively say "This is them."  So .. that's my brick wall for the Robertson family and that's as far back as I can go.  I was very pleased to have finished that album because it had languished for quite a while as my interest waxed and waned.  It's amazing how much productivity doesn't get done when you're not actively working on it.  :-)

After finishing that album, I almost started on the next family line, when I remembered a military service album that I had started for my Dad ages ago.  I figured it would be better to get that partially completed album finished so it could go on the bookcase, rather than take up space in my work room.

I was very, very fortunate in that my Dad saved quite a few official US Army papers, from which I was able to piece together his military service from basic training to infantry during World War II (South Pacific theater) to US Army Reserves during the Korean War.

I might do a dedicated post on that album later on but for now, I will simply feel very, very pleased that the album is done.

Which left me to return to my Deco Garden Forever Project ™.   Tom & I took a weekend away where I was able to do a substantial amount of work during the drive to/from and more work once we arrived at our destination.

bonus block 37 - Periwinkle

Bonus Block 37 (Periwinkle) was the next 12" floral block to be finished.

I have (4) more 12" floral blocks to do.  Although the applique templates have been cut and the applique placement guides have been made, I haven't yet prepped any of those blocks.

It occurs to me that perhaps a future blog post ought to be how my technique for the applique evolved over time.  But not today. :-)

All 28 border blocks

While completing a floral block is certainly cause for a major celebration, I gotta say that wasn't the case for this weekend trip.

THIS trip resulted in my finishing ALL THE BORDER BLOCKS!   Oh My Goodness .. all TWENTY EIGHT border blocks are now finished!  Working on these small blocks has certainly been tedious at times, since the blocks are all the same but putting in that last stitch was SO satisfying!

However, that self-satisfied smug smile was short-lived.  As I was stacking up all the border blocks, feeling inordinately proud of myself, I realized that ... oooooh noooooo!   those border blocks weren't QUITE 100% finished after all.

close-up of a border block with accent circles

Nope .. each of them required (4) small circles to be appliqued between the leaf elements.  Sigh.  That meant 28 blocks times 4 circles per block = 112 total small circles.  These circles are about 1/2" in diameter, so they are somewhat of a pain to deal with.

To get nicely uniform circles, I like to use a stiff template and make a  gathered circle around the template .. and that's exactly what I'm doing.  This is excessively tedious work and I'm not particularly looking forward to it.  But it's one more step that needs to be done.  Sigh.

the four corner blocks

AND THEN ... the very last blocks to be prepped were the (4) cornerstones.  I just finished those and they are ready to be stitched.   Except for the required small accent circles.  Yeah, these blocks want them also.  Sigh.

I've mentioned previously that I use Nancy Lee Chong's (of Pacific Rim Quilting Company) basted applique technique for all of my needleturn applique pieces.  It's the only method that didn't annoy me excessively or have a lot of unnecessary steps.  I highly recommend it.

So, the four cornerstones have been prepped ... the lighter green leaf elements and the color spot element have been basted on the turn line, following Nancy Lee Chong's method.  The darker green leaf unit was done differently.

There were waaaaaay too many narrow ins-and-out for me to want to negotiate.  I've done narrow "V" shapes plenty of times but by the time I was looking at these shapes, my brain was screaming NOOOOOOO.   :-)

So, I used an alternative method that is useful when the shape is just too complicated or tedious to stitch with a traditional needleturn method.  I call this "shaped applique", although that is strictly my term for it; I don't know if there is an official name.   This alternative technique calls for the finished shape to be cut from fusible, wash away stabilizer.  I use a product from Floriani.  The cut shape is fused to the wrong side of the applique fabric and trimmed to leave a small seam allowance.  I then swipe the perimeter with a washable glue stick and wrap the seam allowance over the stabilizer where the glue will keep it there. 

When I'm done wrapping the fabric, the final shape will conform beautifully to the stabilizer shape and all I have to do is to stitch the shape in place.  When I launder the quilt, the stabilizer will dissolve, leaving the applique nicely soft.

Bottom line ... I have 112 small accent circles to make and stitch for the border blocks; 24 small accent circles to make and stitch for the corner blocks; prep (4) 12" floral blocks; and stitch the (4) corner blocks.   This is certainly a whole lot less to do than when I first started but seeing it written out like that makes me think that the Light at the End of the Tunnel is a bit further down the line than I thought.

Such a shame because I already have the next Forever Project ™ picked out and ready to be worked on!!  LOL!

Deco Garden block: bonus block 41 - Blue Bubble Flower

bonus block 41: Blue Bubble Flower

I've not been quilting so much these days. 

Another passion of mine is genealogy, both my family and my husband's.  Over the past years, decades for some family lines, I've been doing research into the ancestors.  Some have been easy to find and others still remain elusive.

Much of my time lately has been diligently working on my husband's maternal grandmother's line.  I had hit a major mental road block for a while.  I knew that the longer I stayed away from the album, the longer it was going to take me to finish it.  So, I finally pull up my big girl panties, put my nose to the grindstone and just plugged away.


And hooray!  That family album is done!  woo hoo!

Which meant that I could now, with a clear conscious, return to my other passion: sewing.  Specifically working on my Deco Garden blocks.

After weeks of just sitting there, being all lonely, I was able to get back and finish the block.

I might take another break from the flower blocks because I'm waaaaay behind in the border blocks.  I had originally thought I would do maybe 5 border blocks to every flower block I needed to do so that I would come out even in the end ... with neither a whole lot of border blocks or a whole lot of flower blocks to do.

But, that didn't work as planned.  Such is life, ya know?

Deco Garden: the latest blocks

Bonus Block 44 - red rose (although I chose coral): 

Every year, my (extended) family takes a tent camping vacation at Calaveras Big Trees State Park in California's Sierra Nevada mountains.   Calaveras is smack-dab in the middle of the Gold Rush country but the main attraction for us is that there are (literally) mountain sides chock full of trees.  BIG trees.  And with all the activities to do and places to go with kids, it's simply a wonderful place to camp.   We've been going there for over 40 years ... that's how much we love it.

We are "unplugged" when we go camping.  There is absolutely no internet access in the campsites. It used to be that we would need to go to the nearest town (about 10 miles) for just Wifi ... and further down the mountain to get actual non-Wifi access.

Bonus Block 52 - May Flag Iris

This has its advantages ... when I am in camping, I don't feel any urge to be on my cellphone, checking on all the frivolous things I do.  Instead, I work on hand needlework projects that I had previously "kitted up" at home before we left.

This year, I brought along 4 prepped Deco Garden blocks and about a bazillion prepped border blocks.  With all the comings and goings .. and books on my Kindle that I wanted to read ... I didn't get as much appliqued as I anticipated.

BUT .. I did finish two more 12" Deco Garden blocks and started a third (which I am continuing to work on).

Upon my return home, I took some time to tally how many and which blocks I had finished so that I could know how much further the end of the tunnel was.  I was gratified to see that I have only FIVE more Deco Garden blocks to finish!    WOOO HOOO!!. 

Oh yeah, and all those border blocks.  Fortunately, those guys are much smaller.  Unfortunately, I need to make a gazillion little circles for those blocks, which is tedious.  They make the block look very festive, though, so I won't be leaving them off.

Starburst Blossom and Deco Garden needleturn projects

Deco Gardens needleturn applique project

Reeze Hanson's "Deco Garden"

Back in 2015, Reeze Hanson of Morning Glory Designs  released an applique BOM, which she titled "Deco Gardens".  This was a collection of (12) 12" blocks of Art Deco inspired flowers and plants plus border blocks.   Art Deco has always appealed to me so I began collecting the designs. 

Mind you, I said COLLECTING the designs, not making them.  The thing about designs and patterns is that, many times, if you don't grab them when they first show up, you may lose out entirely.  I knew that if I had the designs, I could make them at my leisure.

first block, "Columbine"

It wasn't until February 2018 that I made my first Deco Garden block, a Columbine. 

By that time (three years later), Reeze had explanded the Deco Garden blocks to many, many more than the original 12.  I decided that I would make a LARGE quilt and started to plop pictures of the Deco Garden blocks that I liked into EQ to give me a layout. 

my king-sized layout

We have a king-sized bed.  I don't have a properly sized quilt for it (even after all these years) and decided that THIS was going to be the quilt for our bed.  My layout ended up with  (49) 12" blocks plus border blocks.  It's going to be HUGE.  But .. hey ... I'll call it my current Forever Project and just plug away.

I had decided that I wanted the same mottled black fabric as the background for the entire quilt.  To that end, I bought an entire bolt of Moda "Marbles" and prayed it would be enough.  A very rough estimate assured me that a bolt would be enough.   Surely a whole bolt would suffice  (cross fingers).





Needleturn applique technique
I used to not like applique.  I don't like the look and feel of satin-stitched edges.  I *REALLY* don't like the look of a looser zig-zag.  Most of the time, a blanket stitch isn't appropriate for the design.  And I HATE fused applique.  Now there are times and circumstances when any of those techniques are applicable but I just don't like them.

"Magnolia" - a finished block

I also had not (yet) discovered a hand stitched method that I liked .... so ... I just didn't DO applique.  Which was perfectly fine with me, as I had a tremendous backlog of pieced layouts to create!   BUT, in 2007, I found a technique that finally resonated with me.  It's a front-basted method which I learned from a Pacific Rim Quilting Company pattern, Peace, which you can read about on my web site here.

Much later, I was fortunate enough to actually take a hands-on class from Nancy Lee Chong, of Pacific Rim Quilting Company, who promotes this technique.   I was IN LOVE with this method!  From then on, I was a needleturn applique fiend!

It is this front-basted method that I use for my needleturn applique projects.  I'd say that 99% of the pieces were able to accommodate this technique but if the piece was really teeny-tiny or had impossible edges, I then used a fusible, water-soluble stabilizer as the base for just that small piece, which was then appliqued down.

current Deco Garden block in progress

Today's date is July 2, 2019; I am still working on the applique blocks for Deco Garden.   This is the current block I'm working on.  It's called "Blue Rose", so as to distingish itself from all the other rose blocks.  :-) 

You can easily see the finished, turned edges. The red dotted lines show the basted, raw edge, where I am currently turning the edge under.

If you look at the green stem in the lower right corner, you'll see the purple basting thread holding that piece down and showing me where the finished seam line is.






Starburst Blossom, a pieced & applique project

Reeze Hanson's "Starburst Blossom"

In March 2018, Reeze started her 2018 BOM, Starburst Blossom.  It is a 12 block pattern with a delightful, easily pieced background (which remains the same for all the blocks) with a varied applique floral design in the middle of the pieced block. Although the pieced block is the same, the colors of the block are all different.

The basic BOM was one block a month but if you subscribed to her newsletter, you had access to another block.  I did subscribe to the newsletter and I ended up with a quilt top of 20 blocks plus the borders. At 16" square, the blocks are HUGE but that makes the quilt assembly go quickly.

my finished Starbust Blossom top (Jan 2019)

What possessed me to work on TWO concurrent applique BOM collections is beyond me, but I did.  Starburst Blossoms, having fewer blocks, would finish sooner than Deco Gardens ... mainly because there was a Facebook group specifically for Reeze's BOM blocks, which gave me the push to stay on top of the block construction. 

In January 2019, I completed my Starburst Blossom top, which finished at 82"x100"  As of June 2019,  it is still unquilted (that's a different project!).









Back to Deco Garden
All during 2018, as the Starburst Blossom blocks were released, I'd drop whatever I was doing and make up not only the basic BOM but the extra, newsletter BOM.  In between the Starburst Blossom blocks, I'd be working on the Deco Garden blocks.

For my Forever Project, my typical "rule" is that it was for me to work on when I was away from home .. on road trips, on vacation, at doctor's offices, or Little League games.  I wouldn't work on it at home because, at home, I'd be using my sewing machine to work on yet a DIFFERENT project.  A Forever Project is simply there allow me to creatively and productively occupy my hands  when I can't be machine sewing.  It usually doesn't have a deadline and I can take however long I need.

However, I have given myself permission to break this "rule" with Deco Garden.  I am now steadily working on it at home (taking a hiatus from machine sewing) so that I can reasonably expect this project to reach completion.  I do have an incentive to do so ... I have another needleturn applique project waiting for me!  :-)

As of today (July 2, 2019), I have 39 completed Deco Garden blocks and 12 completed border blocks.  That leaves 10 Deco Garden blocks, 16 border blocks, and the 4 corner blocks to finish before assembly.  The Light at the End of Tunnel is in sight!  :-)

a border block

EXCEPT ... (can you hear the shoe dropping?) ... I was looking at my EQ printed layout of the final version of Deco Garden.  Then I looked at my pile of border blocks .. which have ALL BEEN PREPPED for needleturn.  OH. MY. GOODNESS.  A *major* problem. 

In my enthusiasm to get the border blocks prepped for needleturn, I was on auto-pilot.  I never stopped to check what I was doing against the final picture.  I didn't realize until recently that the border blocks ON THE SIDES are DIFFERENT from the border blocks on the top & bottom.   AAARRRGGGHHHH.  Take a look at the king-size layout above ... you'll see the side borders are different.

Well, tough luck.  I am NOT going to undo all my prepped needleturn.  I'm not even sure I have enough of the green left to DO the side border blocks now.   AAAARRGGGHHH. 

However, in the Grand Scheme of Things, if you didn't have the original layout out look at, you'd never realize that the side borders were supposed to be different.   After all, most quilts have symmetry and consistency on all sides for the borders.  And that's how my quilt is going to stay.

Reverse applique project

the finished applique (not yet quilted)

This hasn't been a Forever Project™ for very long.  Mr. Pirate and I recently went on a short road trip to a nearby quilt show in Shingle Springs, CA.   This show was delightful, although it didn't have a lot of quilts displayed.

One of the vendors was Jill Rixman of Placerville, CA (a nearby town to Shingle Springs).  Jill designs utterly fantastic applique patterns.  Because it had been raining, there weren't too many customers in the vendor hall.  I took advantage of that situation to strike up a rather lengthy conversation with Jill about this, that, and the other but not necessarily sticking to applique or quilting.

the pattern I used

I bought one of her patterns, "Beauty" from her In a Word For the Love of Applique series.  Although she has intended this design to be done using reverse applique, don't let that stop you .. you can certainly do the design with standard applique, using whatever method is your favorite.  You can find her Reverse Appliques here.

I've never done reverse applique and this seems like a simple enough project to wet my toes.  For those of you who are unfamiliar with reverse applique, this technique is exactly what you'd think the name implied.

Here's the basic technique: in standard applique, the design is placed on top of the base fabric and stitched to the base fabric.  In reverse applique, the applique fabric is roughly cut bigger than the finished design and that piece of fabric is placed right side up UNDER the base fabric in the desired position.  On the right side of the base fabric, you draw the finished seam lines of the applique .. I used an air erasable (purple) marker.    Then you take a BIG breath because you are going to be cutting the base fabric inside the drawn lines, leaving a small seam allowance to turn under.  (ummm ... I do it that way because I like to do needleturn applique.  If you were doing say, a zig zag stitch, then you wouldn't leave a seam allowance at all.)   Then, it's just regular, old needleturn applique to finish off the edge.

The finished motif appears to be sunk beneath the base fabric .. because it is!  :-)

one of the fabrics I used

For all the butterflies I stitched, I used vibrant multi-colored fabric as the applique fabric.  This gives

Since Jill's design is three closely spaced butterflies, I treated them as one unit.  The applique fabric I cut, encompassed all three butterflies.  BUT because the fabric is so multi-colored, it doesn't appear that I'm using the same fabric for all of them.  You get fantastic results without needing to actually HAVE  to work with lots of small pieces of fabric.

This is just ONE of the multi-colored fabrics that I used.  A chunk of the fabric, big enough to cover all three butterflies, was placed under the desired area of the base fabric.

the stencil I created from the pattern

Jill gives you a full sized pattern to use.  In this case, it is three closely spaced butterflies.

You need to trace the pattern onto the right side of the base fabric.  The very low-key way of doing this would be to tape the pattern to a window (or light box), put your base fabric on top, then trace the pattern.

But that's obnoxious.  I've done that enough times in the past to want to avoid doing it again.

Enter one of my crafting tools: a Brother Scan-n-Cut electronic cutting machine!  I'll think about doing another post about this AMAZING machine later but for now, all you need to know is that I cut a stencil out of sturdy cardstock.

motif with traced lines

I placed the stencil on top of my base fabric and used the air erasable marker to trace the motifs onto the right side of the base fabric.   Gosh, I love this machine!  :-)

In this photograph, you can see the basting thread that I used to secure the applique fabric to the base fabric.  I basted the applique fabric from the wrong side .. I just needed to run a line of thread around the perimeter, which, of course, is much easier from the back where you can see the applique fabric.

On the front of the base fabric, I traced the butterflies.  In this picture, I'm beginning the reverse applique process: I've already cut a hole in the base fabric and started the needleturn stitching.  To the left of the needle, you can see a small portion of the raw edge of the base fabric that hasn't been turned under yet.

finished reverse applique desgin

This next photo shows the completed reverse applique design.  Because of the applique fabric that I used, doesn't it look like I really used a whole bunch of different fabrics?

Nope, I totally cheated. :-)

I used the stencil to trace several clusters, and even single butterflies, onto the green base fabric.

I used about 4-5 different multi-colored fabrics for the applique.  Finally, after long last, the final stitch was done!  Hooray!

applique is below the base fabric

Here is a close-up of one of the motifs ... I'm trying to show how the appliqued piece is BELOW the level of the green background fabric.

Initially, I wasn't terribly overwhelmed by this technique.  From afar, you could easily replicate the same look-and-feel by using standard applique.  So, why even bother with reverse applique?

Well, it was an itch that needed scratching.  A box that needed checking off.  I've now done that.

While I'm not sure I will use this technique again, it has grown on me.  I might have second thoughts as to a repeat performance. :-)

The only real annoyance I had was with my choice of base fabric.  This was regular, ol' quilting cotton *but* it wasn't woven quite as tightly as others.  This caused the fabric to fray annoyingly, especially around the tight inner curves.  I think that if I had chosen something like a batik, or similar that has a tight weave, my experience might have been more positive from the beginning.

But let me reiterate .. this was not a fault of the pattern or of the design .. it was totally my error in choosing a base fabric that had a somewhat looser weave.

Now that the reverse applique is done, I really should finish it off.  I have ambitions of doing some embroidery work around the butterflies ... some vines?  some flowers and leaves?  That really shouldn't take too much more time (she says optimistically ::cough:  ::cough::). 

The final product is going to be a long, skinny pillow for a couch.. something to put behind your back to support it whilst you are slouching (which you should never do but we all do anyway).  :-)

So .. where were we?

or ... Returning to blogging

Diagonal 9-Patches (1/2017) unquilted

[Note: I'm going to sprinkle some eye-candy photos of quilts that I've worked on, that I haven't previously posted.  They have absolutely nothing to do with the text .. it's just to keep you reading. :-)  ]

I recently read a blog by Jessica Sprague , where she talks about her hiatus from blogging.  Jessica is an extraordinary crafter and creates some of the most amazing and informative instructional video tutorials.  I'm very glad that she's back.










One of her statements really resonated with me.

Dinosaur Diamonds (1/2017) unquilted

She said, "...But it’s HARD to get started blogging again. Hard to get out there, when it’s easy to let the old status quo become the permanent status quo. It’s hard to get started with anything you once enjoyed and have let lapse, I think. And the guilt...."

Ribbon Box  in flannel (2/1017) unquilted 

I can see from my own history that my last real blog post was .. geez! .. August 2018.  And there were long lapses along the way.  The last project that I actually created a webpage for was in ... holy moley!  2015.   Cripes.


One thing I really dislike is reading blogs about "oh, I've been so bad about blogging."  "It's been so long since my last post."  And yet, here I am, making just that kind of post.  :-/

Two Fabric Bargello (2/2018) unquilted

Jessica's statement about it being difficult to get re-started with blogging is so true.  Even though I haven't been blogging, I haven't stopped quilting or crafting.  I just haven't blogged about it.  I've been keeping track of my projects but not writing them up.

When you finish a project, there is a certain amount MORE energy you need to expend to get the project ready to blog/publicize.  There's a lot of behind the scenes activities that need to be done. Properly taking photos.  Editing those photos.  Researching web links, if you didn't do it before, for proper credits.  *Writing* the doggone blog.

Ginger Jars wall-hanging (3/2018) unquilted

And while the blog step has always been part of the creative process for me, back in 2016, I just became lethargic about it.  It was a big case of "meh".

AND THEN .. as if that wasn't enough for me to do, I started a NEW hobby, one that has become increasingly more insistent over the years.

I've always been interested in my family's genealogy and photos.  I've collected photos of my family and of my husband's family for decades.  I've done family research for both him and me.  I've "discovered" long lost or formerly unknown family branches .. and I tell you that was WILDLY exciting!

Since I'm the only one in the family who is really interested in doing this research, I'm the one who need to get all these stories out of my head and onto paper.  Creating heritage/vintage photo scrapbooks of the family genealogy has been increasingly more important.  It's like an 800 lb gorilla sitting in my craft room, staring at me.

Shadow Box/Illusion with border (4/2018)

And once I've discovered information, I need to properly preserve it, which is where the scrapbooking comes in.  Oh boy ... a new hobby for which I can buy supplies and take lessons and, hopefully, make some scrapbook pages!   Along the way, I discovered that I can use the same scrapbooking supplies to make cards!  Holy smokes!  Card-making is darn near instant gratification!  I found myself procrastinating making the scrapbook pages in favor of making cute cards.   Geez.

Jessica Sprague also mentioned the "guilt".  Oh yeah .. all this time, the projects that I have been working on, both quilting and crafting, have been nagging me to publicize and share!  Since I wasn't, there's another pile of guilt to deal with.  As much as I might like to, I just can't simultaneously do family research AND quilting AND paper crafting.

Spoolin' Around (12/2018)  **quilted**!!!

So, the purpose of THIS blog post is to acknowledge that I've been a lamer.  I'm going to see if putting the blogging bit on a schedule will help with the backlog of what I'd like to share with y'all.  I know I work better with deadlines.  So, if I have a scheduled day/time for working on the blog, I think the chances are better that I'll actually DO it.  :-)

As the saying goes, "hope springs eternal." 

Victoriana Quilt Designs Quilter's Meet-n-Greet Intro

Wow ... the pressure is on!  Benita of Victoriana Quilt Designs invited me to participate in her September 2018 "Quilter's Meet -n- Greet" !   This is very exciting because you, the reader, will have a fantastic opportunity to read about and visit the blogs of all sorts of quilters.  Click on the high-lighted Meet-n-Greet link to visit all the blogs of great, participating quilters!

Benita is also having a contest with the Meet-n-Greet to encourage all of you to visit the participating blogs! You can check out the amazing prizes available here or just click on the picture to the right/

I was tickled pink!  Except that ... seeing as I have not been part of such an event before .. what do I write about?  Well, apparently, this introduction post is supposed to be just that .. and intro to me and my quilting.  Goodness gracious .. I can talk for HOURS about that topic!  (yeah .. just ask my family!)  :-)

So, where to start?  The Good Fairy of the Wizard of Oz suggested to Dorothy that is it is always best to start at the beginning .. so I shall do so.

First .. welcome!  I'm so pleased that you are here!

In the dim recesses of my memory, I have mental pictures of one of the first quilts I made.  It was circa 1970's and I made a strip quilt for the brother of my older brother's girlfriend (who he later married).  It was VERY simple, as my skills were VERY basic at that time.  It turned out to be a usable quilt and I was pleased with it.  Unfortunately, I have no pictures.

In the ensuing years, I did less quilting but MEGA amounts of garment sewing for myself and needlework.   In 1979-ish, I was married and moved into a new-to-us house.  At that time, I was subscribing to Family Circle magazine and they had an article to buy a kit which would enable to you to "make a quilt in a weekend".

one of my first quilts

Oh, stop laughing!  I *believed* them.  They wouldn't publish something that wasn't true, would they?  Well, I bought the quilt and one Friday afternoon, upon arriving home from work, I informed my new husband that I was going to be sewing all weekend and please don't interrupt or bother me.  I had a quilt to make.   Little did he realize this would be a scenario repeated ad naseum over the life of our marriage (now at 39 years!).  Poor him.  :-)

That quilt was a quilt as you go, Log Cabin.  King size.  Why a king size quilt?  Well, we had a king sized bed!!!   And you know what?  **I FINISHED THAT QUILT** by the end of Sunday evening.  It was pieced, quilted together and bound.  I had no doubt that I would accomplish the task because .. well .. the magazine SAID that I could make it in a weekend. :-)

I actually have a blog post about that quilt and you can read about the details here.

I made a *few* quilts after that but then we started a family and I returned to my garment-sewing roots and began years and years and years of making gorgeous, adorable garments for our three daughters.  Dang, I gotta say that they were the best dressed little girls in town.

But, around middle school, they decided they wanted to look more like the other girls .. fair enough .. and I greatly reduced my garment sewing .. but resumed my quilting.  It was in 2000 that we did a fairly major remodel on our house that knocked down the old, non-functional back porch and rebuilt it into a 10'x20' sewing studio for me (with an adjacent office for my home business .... when I closed that business about 15 years later, I converted that office space into my paper crafting hobby room.  No space is ever wasted!)

It was at that time .. 2000 .. that I realized that making quilts was FAR EASIER than making garments!  Dang .. no bodily curves to accommodate!   And quilts never get out grown!  Woo hoo!  I began quilting With A Vengeance.    From then, I have never stopped.

I made quilts for us, for the girls, for relatives, for gifts, for events, for no reason at all other than I liked the layout.   And I started collecting fabric suitable for quilting.  (DO NOT mention to my husband that I STILL have fabric for garments ... he doesn't quite understand the difference in fabric types!).   I now have a lovely inventory of quilting fabrics but never quite seem to have THE fabric necessary for any particular project.  How on earth is that possible?  (rhetorical question!)

I started with geometric patterns because they were the easiest to conceptualize.  Over the years, I have taken classes (both online and physical). I have expanded my skills to the point where I think I have done just about every technique .. or at least it certainly seems that way.

After not liking hand applique at all, I learned a technique from Nancy Lee Chong of Pacific Rim Quilting Company, that made me an absolute gushing Fan Girl of her technique and patterns.  Now, I will happily and contentedly do needleturn applique at the drop of a hat.

I started my concept of a Forever Project™  ... this is a long-term project that doesn't have a fixed finish date.  It gets worked on when I get around to it.  My first Forever Project was a hand embroidered throw pillow of a sitting unicorn.  It was for my oldest daughter (who was born in 1983).  It took me 10 years to finish that *small* throw pillow because I kept putting it away!  Sadly, I don't have a picture of it.  But it eventually got done and I needed something else to do.

hand stitched Cathedral Window

My second Forever Project™ was a hand stitched Cathedral Window.  I had found some fabric of my Mom's (who had passed away in 1989) and I felt very emotional and sentimental about it.  There wasn't a whole lot but I made some Cathedral Window blocks and made them the center focal point of a quilt.   It took me 7 years before I decided that it was "big enough".

After that, I had a fairly flexible mindset about Forever Project™ quilts.  Some were small, some were large.  Some took no time at all, some took years.

But always, they are projects that are hand work .. something portable .. something that I could work on in doctor's office waiting rooms, in the car on road trips, on vacations while away from my sewing machine.  And they never, ever, ever had a firm finish date.  When they got done, they got done.

I think I've done about a dozen ???? or so Forever Projects™ thus far.  They just never seem to end. :-)

I love sewing.  I LOVE quilting.  Like every other quilter I know, I have far more potential projects, UFOs, WIPs and inventory for projects than I will use in my lifetime.  But that doesn't stop me because I'M NOT A QUITTER!!  :-)

Lone Star with applique

You might be wondering about the dramatic lone star and applique quilt by my link on Victoriana Quilt Designs.  *That* quilt was a delight to make. Although the basic design is a Lone Star, the whole thing is an original design (with inspiration from a Ricky Tim's quilt) that had its ups and downs during construction.  The fabrics are hand-dyes and absolutely seem to *glow*.  It remains one of my favorites.  (and *one of these days*, I'll even get around to posting the gallery web page about it!)


I do have a web site which is a gallery of my quilts.  I started the web site as an online scrapbook of sorts to remind me what I had created and what I was thinking during that project.  Of late, I've been quite the lamer about keeping it up to date but seeing as I am feeling more energized about returning to blogging ... then my web site gallery must need to be updated as well!  And so I shall.  My quilting-specific part of my web site is The Dread Pirate Rodgers Quilting Projects.   The main site can be found at The Dread Pirate Rodgers Home Page.

Don't forget to visit all the other quilter participants of the Victoriana Quilt Designs Meet -n- Greet!

Click on the link below or the picture above for the contest!

https://www.victorianaquiltdesigns.com/fabric/

Happy quilting!

Shimmer Braid top completed ... 3 years later

Shimmer Braid
with original pieced border

Waaaaay back in 2015, I saw a post from the Fort Worth Fabric Studio, in which they were announcing a new kit available at the time.  The name of the pattern is "Shimmer Braid" and was designed by Deanna Jennings.

the standard Log Cabin blocks

I don't normally buy kits (i.e. the pattern plus fabrics) because I have a pretty extensive stash and can envision a pattern in the fabrics that I have.  But this example?  Oh. My. Gosh.  It was drop dead gorgeous.  

the uneven Log Cabin blocks

THE COLORS!!!   Purples and teals and blues and turquoises and sea green .... they sang to my heart!  I absolutely knew, beyond a shadow of a doubt that there was NOTHING in my stash that could rival this selection.  I had to have it.  So, I bought the kit .. the pattern and fabrics.

French Braid segment for interior

In time, the box arrived.  The fabrics *were* exactly as the picture portrayed.  Lordy, lordy, they were gorgeous.  But, I probably was hip-deep in other projects at the time, so it was put away.  I do remember pulling the box out from time to time over the intervening years but always put the box back on the shelf.  

There was also a Facebook group specifically for this project as a quilt-along but since I wasn't going to be working on it in 2015, I never was a part of that group.  The group still exists, if you care to look it up for pictures of the different variations that were made by the members.  They are simply breath-taking.  Quilters are SO creative and this Facebook group is no exception.

French Braid for the corners

This past July (2018), Mr. Pirate & I took a road trip in our travel trailer to see the Sisters, OR annual quilt show and to join in the celebration of a quilting friend's 50th birthday.  Since we were going to be "camped" there for about 4 days, I brought along Shimmer Braid to work on, in addition to my typical handwork.  

two of the stars in the center

Once I opened up the box and started reading the 5 part tutorials for cutting and assembly, I realized why I kept putting it back.  I was having trouble making heads or tails of the cutting directions.  I even had one of my *very* experienced quilting friends look over the directions with me, in the hopes that another set of eyes would set me straight.  But .. no ... she couldn't figure the directions out either.   Eventually, I just bundled all the fabric back into the box and brought it, unsewn, back home.

I must say, at this point, that I usually have positive posts.  I've been quilting for over 30 years and have made all kinds of different patterns.  I haven't shied away from "difficult" layouts and I've been extremely successful in creating lovely tops and quilts.  I say this because I had *serious* issues with the directions and assembly directions, as written.  For me, they were difficult to follow.  When I read the comments on the Facebook group, everyone was extremely supportive, so the only conclusion that I can come to is that *I* am in the distinct minority here and the problems in following the cutting and assembly directions must lie with me.  If so, i take full responsibility for that failing.

I also had an issue with the fabrics that were included in the kit.  There was yardage for the sashing and the background.  Fat quarter bundles were included for all the lovely focus fabric.  While the directions come right out and STRESS that if you are using fat quarters, you MUST cut all the strips along the 20"22" length, not the 18" length.  Fair enough ... good warning.  And I was very, very careful to check, double-check and triple-check that I was cutting along the correct dimension.  I was paranoid about incorrect cutting and running out of fabric (at this point, I didn't realize how much extra fabric had been included.)

the 3" stack of leftover, unused fat quarter pieces

However, even with that caution, the directions also say that one fat quarter bundle wasn't *quite* enough to yield all the pieces necessary for the top ... so ... the shop included *two* fat quarter bundles of the focus fabric so that the top could be successfully completed.  What this REALLY meant was that, when completed, there was WAAAAAAY more fat quarter pieces left over that *were not needed* but the customer had to pay for them.   My opinion is that the store should have cut the focus fabric from *yardage* instead of using precut fat quarter bundles.

Having said all of that, eventually, after all lot of gnashing of teeth, frustration and annoyance with the assembly directions, I eventually did get the top successfully pieced.  I love, *love*, LOVE the colors and the arrangement!  Except ... the outer border.  The directions have the option of sizing the top up to a queen size.  This is accomplished by adding on plain, white borders to the outside.  While this does give the quilter lots and lots and lots of white space for creative quilting, those slabs-o-borders did absolutely nothing to enhance the basic layout.  I will say that the original, smaller size is lovely and the only reason I didn't make it is because I tend to like bed-sized quilts.

So, I ignored the directions for the white slab-o-border and with the help of my reference books, made a staggered piano key border from the TONS of leftover focus fabrics.   (And there is STILL enough focus fabric fat quarters to make another decent sized quilt.)  Truthfully, I like my pieced border a whole lot better than the plain, white borders.  But *that* is a matter of personal preference and many quilters may like the plain borders precisely for the quilting opportunities.

It took me from mid-July to mid-August 2018 to complete this top .. and do note that this is still just a top.  I've made the necessary bias binding and have pinned the binding to the top (so it doesn't get lost).  The finished top is hanging neatly in a closet, with all the other tops, waiting for its turn to be quilted.  
I haven't a clue when I'll get around to quilting it but I'm sure glad it is now pieced!  It's a very large UFO off my list and has left a lovely HUGE empty space on my bookshelf!  I really to love it when I can cross a UFO off my list.
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