that hexie project

I finally located my camera.  It was hiding in plain sight.  :-)

My sewing studio is narrow but long.  The "design wall" is a sheet (currently black) hung in front of the shelves that hold my containerized stash.  The distance between the "design wall" and the other side of the room is about 12 feet, of which 3 feet is taken up by the width of the shelving units and my sewing cabinet (which is directly across the room from the shelving units).

So, what does that mean?

It means when the project that is pinned to the "design wall" gets large enough, I can't back up FAR enough to get the entire thing in the picture.  And so it is with this picture .... I was literally bending over my sewing cabinet backwards to get the camera lens far enough away to encompass the whole project.  The pain I go through for creativity!  :-)   Even then ... I couldn't get ALL of the finished hexies in the frame.

I've just pinned each hexie unit (flower plus green path) to the sheet, in no particular order.  Once I get all the hexie units stitched, THEN I'll be concerned about placement.

Since this is a Forever Project (™), I have all my supplies in a Grab-n-Go box.  Here it is, opened up.  I have all my prepared hexies, both the flowers and the green path ones; scissors; thread; needles; pins; extra paper templates; magnifying/reading glasses. 

All of the prepared hexies have been grouped into flower units and clipped or pinned together.  Ditto with the green path hexies. 

I know I don't have enough prepared green hexies for all the flowers, so at some point, I'll be needing to cut more green fabric and prep those hexies.

I also have a small cutting board, rotary cutter & acrylic hexie template for when I was also cutting out the fabric hexies. When I need more of the green hexies, I'll cut some green strips at home, put the strips in the box and when I need to prep them, then I'll cut the fabric with the cutting supplies in the box.  I'd hate to be lacking some supplies, when away from home!

With everything I need in one convenient totable box that I can grab on a moment's notice, I'm always ready to have something to do on car trips.

2013 Recap: what happened.

Because I don't have anything really new or interesting to write about but wanted to display proof that I'm actually still alive, I have decided to to a recap post of accomplishments of 2013.   There were quite a few more than I had remembered ... which is a hazard when the one remaining brain cell becomes frequently fried. :-)

1. Hawaiian Applique.   This project was started in January 2013 and the top was finished in May 2013. 

The pattern is for the center medallion only; I added on the borders to make it a more useful size for me. 

It's still a top, awaiting quilting.    Ya know, that really did turn out pretty, didn't it?  I ought to quilt it.  Should I pop it to the top of the quilting list or make it wait its turn behind all the OTHER tops that have been patiently waiting?  :-)












2. Podcats throw pillow.  This project was started AND .. omg .. FINISHED in February 2013.  I was attracted to this pattern because the Pirate family has 3 girls.   By no means are they like three peas in a pod, but I do tend to buy them items in three's ... especially if those items are in "their colors".








3. Manzanita.  This project was started in February but the applique wasn't completed until April 2013.  I did love doing the applique but it's a "dark" project ... very stark.  I wasn't depressed or feeling sad when I bought the pattern; it simply appealed to me.   

Since I learned how to do needleturn applique, I really adore doing those skinny little shapes and fine points.  I'm certainly not intimidated by any applique any more!

There are leaf-shaped leaves to be sewn to the branches and some interesting shaped borders to be applied.  It's still at this stage.  I probably ought to look around the sewing studio and find it.  Wherever it's hiding.

4.  Just Ducky.  This project was not only started in April 21013 but finished, quilted, labeled, bound AND delivered in

April 2013!   Go me!  :-)  

This quilt was for a new member of the extended Pirate family and I know from first-hand knowledge that it *IS* used frequently.  I can't tell you how happy that makes me. :-)

Nothing is sadder than a quilt, designed to be used, that is folded and put away because "it's too pretty to use".













5. California Poppies applique.  I bought this pattern because I love poppies.  The displayed sample was breath-taking ...

their use of color and fabrics was wonderful.  How could I resist when the pattern was combined with pre-selected fabrics? 

I started work in May 2013.  The applique for the stems (all those skinny stems!) went rather nicely.  It wasn't until I got to the actual flowers that my enthusiasm began to wane.  The fabrics "they" chose didn't have enough contrast to effectively show shadows.

But, I slogged through it, finishing the applique in October 2013.  It remains an unquilted project.  It may remain an unquilted project.  :-( 








6. Pinwheels.  This project was started in May 2013 and completely finished by mid-June 2013.  It was originally created as

a way for me to use a "new" technique in making pinwheel blocks from (2) 5"x10" rectangles. 

It ended up being sent, along with 11 other quilts that I had previously made, to the tornado victims in Moore, OK.
















7. Jacob's quilt.  The fabrics for this quilt were picked out in May 2013, although the quilt wasn't finished until August

2013.  I have no idea (at this point) what took me so long other than ... it just did.

This quilt was made for the older brother of the Just Ducky recipient and, once again, I know for a fact, that Jacob *uses* this quilt.   I am pleased.  :-)















8.  Jolene's quilt.  This quilt was made for the older sister of the Just Ducky quilt recipient.  It was started in June 2013 and

finished, quilted, labeled, bound and *delivered* by August 2013.

Because the older sister has an American Girl doll, I also made a matching quilt for the doll .... a project that morphed into a wardrobe of all sorts of clothing for the doll.  It was waaaay too much fun!




















9.  Oink-a-Doodle-Moo quilt.  Now *this* project was fast-tracked!   Another member of the (extended) Pirate family was

about to be born and I needed a new baby quilt.  Everything was completely done in August 2013.

Dang.  August was really a busy month, wasn't it?

This was kind of a "cheater" quilt, in that I used a pre-printed panel, but cut up the sections and added some other elements.  There were a number of ... um ... "opportunities for creative problem solving" associated with this quilt, but in the end, I think it came out nicely.












10. Barter: sew a top in exchange for a hand-quilted quilt.   I have a quilting friend who LOVES, I mean LOVES to

hand-quilt.  She creates tops under duress, simply to have something to hand-quilt. 

I had a hand-pieced top that I wanted hand-quilted.  I do not hand-quilt.

So, we bartered .... I would sew a top for her, using her fabrics & pattern and she would hand-quilt for me, using whatever quilting motifs pleased her soul, a double-sized (I think) quilt.

I started her top in May 2013 and completed it in September 2013.  My quilting friend did ask me not to do the top until she was almost done with the quilting ... but I knew that if I waited until then, I would have forgotten all about it and then be in a panic.  So ... disregarding her request, I finished her top.  She doesn't know it (unless, of course, she's reading this) so whenever she finishes the hand-quilting (there was no deadline for her), the top will be ready.  :-)


11. Commissioned quilting.  My neighbor wanted me to finish the small amount of sewing required to finish a top that her

sister (a rank beginner sewer) had made for her own little girl.  Then I was to quilt it.

The sister did a *wonderful* job of piecing and it was a pleasure to quilt. 

I quilted the center with a pantograph and gave the borders a separate treatment, using the design in the pantograph as the basis.













 12.  All That Glitters.  This is a wall-hanging that uses a pre-printed panel as the center.  The pattern adds on the pieced

borders.  It's supposed to have small LED lights poking through buttonholes in the center of the snowflakes, but almost everyone that has done it that way has complained that the wall-hanging will not lie flat due to the wires and cords of the lights.

Instead, I am taking their suggestions to put hot fix crystals in the centers instead.

This project was started in October 2013, was delayed and deferred for several reasons but finished (except for the crystals) by early December 2013.

In fact, because it's not completely done, I don't even have a picture of the completed quilting nor made a web page for it.  Soon .. very soon!



Wow .. that was actually a lot more projects than I thought that I had done.  Twelve for the year isn't too bad, even though some of them remain unfinished.  Heh .. they simply join the ranks of all the OTHER tops that remain still unquilted. :-)

So, what am I working on right now?

1. my hand-piecing Forever (™) project is my English paper piecing hexies.  It's not the small scale that most other quilters

are doing .. oh no!  I want to actually get this project FINISHED at some point, so my hexies are on the large size.  I've already figured out how I'm going to machine quilt it, so I'm eager to get it done. 

This was started in July 21013 and is a work-in-progress.  The picture that I have here is from October 2013.  I've done quite a few more since then but don't have a picture of it.

2. charity quilting.  I have volunteered to quilt some charity/outreach quilts for the quilt guild I belong to ... so the last of those is on the frame. 

Once it is done, I'll need to decide which one of *my* tops will get quilted next.  I *really* want to substantially reduce the number of tops I have (literally) hanging around so I don't feel quite so anxious about them.


And that's what I did this past year and what I'm currently working on.

Machine Embroidery: nativity scene

My embroidery machine is a Janome 300e.  I bought it in 2004.  It's been wonderful.  It absolutely has opened my eyes to all the possibilities available in the machine embroidery world.

Recently, via a subscribed email, I learned that Gorgeous Stitches was featuring a nativity design.  It is a free-standing lace design that can be used as a Christmas tree ornament. 

It's kind of a scribbly design but I liked the open lacey look of it, so I bought it.


When I make free-standing lace designs, I usually hoop a piece of bridal tulle so the threads have something to 'grab' onto.  There have been many instances where I only hooped a water soluble stabilizer and the needle chewed right through it.  :-(     Having the bridal tulle on top of the water soluble stabilizer really helps the free-standing lace stitch out nicely.  At least in my case, it has.  ;-)

So, I looked at the thread color guide that came with the design and ... what's that *green*??  Their *HAIR*???   I don't think so.   And I thought the pink as the interior of the stable didn't look quite right.   I also wasn't quite sure what that light yellow "thing" was below Joseph's right arm.  Or at least I think that's his right arm.  Maybe my glasses need cleaning.

I recolored the design so there was brown for the hair and a light gray for the stable interior. 

I pulled the threads and began to embroider. From past experience, I know that faster speeds for my machine doesn't necessarily mean a nicely stitched design. Because I'm not in a hurry, I usually stitch the designs at a slower speed.  It gives better results for my machine.

But ... alas ... my finished product was not nearly as pleasing in person as it looked on Gorgeous Stitches' website or even in the picture rendering of Embird.   This picture is right off the hoop ... I haven't trimmed the tulle nor the water soluble stabilizer away.

 
Maybe it was the threads that I used (Superior metallic, Coats & Clark trilobal polyester, Madeira rayon, Robison Anton and Floriani).  Maybe it was a tension issue. 

I dunno ... but the end result is less than splendiferous and I am disappointed.  :-(

And that's a real shame because I've stitched out other Gorgeous Stitches designs before with lovely results.  Ah well ... this design and my machine simply aren't destined to share the Christmas spirit with each other.

American Girl clothing: it all started with a big girl's quilt

Back in July 2013, I made a personal sized quilt for a 9 year old daughter of one of Mr. Pirate's cousins.  Technically, the daughter is a first cousin/twice removed, but that gets very cumbersome.  She just calls us Uncle & Aunt.

I found out from the Mom that the daughter had an American Girl doll, McKenna, who the daughter still loved.  I offered to make a matching quilt for McKenna.   The suggestion was enthusiastically agreed to.

So, I made an almost-matching quilt, using the same fabrics as in the daughter's quilt.

Then, what if McKenna didn't have a bed to sleep on?  I had no idea, but poor McKenna, if she didn't.  So I made her a mattress and pillow.

Oh dear!  What if McKenna didn't have any jammies????  Can't have our dear doll being cold in bed, can we?  So a set of jammies was made with Winnie-the-Pooh light weight flannel.


















I attended a doll show, in the hopes that I would be able to pick up some American Girl "stuff".  Just what sort of "stuff" I had no idea because I didn't have a clue what might be available.  So, I went with an open mind, alert to possibilities.  I was able to pick up some shoes (black Mary Jane types, a pair of sandals, a pair of blue "suede" boots and a pair of red rain boots), some socks, hair curlers (!), clothes hangers, a beautiful hand-knit sweater and some other items that I can't quite remember.

Once back home, I began to plan outfits that would use the items I had just purchased. 

It was summer time and warm weather was still here.  McKenna surely needed a sundress!  I had some gold-veined cotton that I made a drawstring dress out of, which coordinated with the gold sandals. 

And for the parties that McKenna would be going to, I also had some yellow/gold Sari cloth that was used for a party dress ... it also went nicely with the gold sandals.

An ordinary sundress was made from turquoise cotton that had a white border print, using the same pattern as for the Sari party dress.

In anticipation of the coming Fall and cooler weather, I made a pair of trousers to coordinate with the sweater.

The sweater had off-white/cream sleeves and back with a mottled off-white/turquoise front.  Gosh, it was so pretty!  


Turquoise was a deliberate choice, as that is the daughter's favorite color.  (Or at least it was at the time!) 









 

A blue/black/white plaid flannel was used to make a cape to coordinate with the blue suede boots.   That would certainly keep McKenna warm!  

You know what REALLY annoyed me about this cape???  I was SO careful about matching the plaid at the side seams that I apparently completely IGNORED the most obvious place: the center front!  Oh. My. Gosh.  I literally stamped my feet on the floor when I realized that.  Normally, I would have redone it but I didn't have any more of that plaid and neither did I have any other color fabric that would be suitable for a cape.  Additionally, Mr. Pirate was harassing me to "get those doll clothes DONE before the girl graduates from college!".  So, to my own everlasting disappointment, I let it go.  I don't think the Mom or the daughter will ever notice it (neither is a sewer), but every time I see that photograph??   aarrrgghhh!









I still need to make a raincoat to go with the red galoshes.  And maybe a Christmas dress ... although time is getting kinda short for me to get that sewn up.  I'll try.  :-)

What I just adored about this project was simply that I *could* make them.  I was thwarted when my own 3 girls were young; none of them liked to play with dolls ... My Little Ponies, yes.  Dolls, no.   So, at last, here was my chance to make doll clothing!  I tell ya, I was enjoying myself waaaay too much and Mr. Pirate's admonition was well said.  :-)

All That Glitters

It was late October when we last saw this project.   The piecing was done and had just been loaded onto my longarm frame.

Then, the horrible happened ... my Dad passed away and everything came to a screeching halt.  I seriously, *seriously* underestimated how long it would take to handle everything associated with his funeral and ... omg .. the paperwork.  Right after that, Thanksgiving occurred and we were away from the house for about a week and half.

But, events concerning my Dad's estate are kinda/sorta under control.  Thanksgiving is over and done with.  I really needed to get All That Glitters quilted and off the frame, since I had previously volunteered to quilt some charity quilts and 2 had been delivered to me.

FINALLY .. last night, December 8th ... I finished the quilting for All That Glitters!

I had previously finished the quilting in the border blocks.  I needed to remember what I had planned for the red sashings (anything?), how to treat the center tree and what I was going to do about the background (anything?)

The border blocks: the stars were SITD with holly leaves quilted in the green squares & the red center square and nested loops in the green  triangles.  I used Glide thread in "Khaki", which is totally a bogus name.  It really looks like a low-sheen, burnished Old Gold.  Awesome thread, incredible color.

The blocks between the stars were quilted with a circular feather design.  Because the printed design on the fabric is in gold, I decided to quilt the feathers in a matching green thread.  I realized the quilting would be inconspicuous but, dang, it really did just about disappear!  I wouldn't advise feathers in a printed fabric for a customer quilt for exactly this reason but for my own quilts, I can do what I want. :-)

Sashings are always a dilemma.  Quilt or not?  The photo shows the quilt hanging sideways on the frame.  What looks like the top/bottom horizontal red strips are really vertical when the quilt is hung properly.  They are 2" wide.  The other red strips are 1-1/2" wide.  I quilted nested circles in an alternating, wave orientation.  I used red Glide thread.  Awesome stuff.

That left the tree in the center.  With Glide "Khaki", I outlined every doggone snowflake.  What a major pain to need to tie and bury all those tails, but I did.  The background of the center medallion was densely quilted with nested clamshells in green, so the background would be flattened and the actual quilting wouldn't show ... all you'd "see" is the texture.  This enabled the non-quilted parts of the tree to puff out in a 3D effect.

I've read several accounts of the mini-LED lights not having the final effect that was expected and that the wires & battery box on the back prevented the quilt from laying flat.  A suggested alternative was to use Swarovski crystals.  So, I'm going to go that route, once the quilt is squared up.

I'm on the 5 yard line, folks!   Detailed, close-up pictures will be taken when the quilt is finished.

It's COLD.

The Pirate family lives in sunny California.  You know .. the land of beaches and fields of golden poppies and fun in the sun.    We don't live near any beach, so you can just forget that part. :-)

Along with almost everyone else in the country, we've been experiencing some cold weather.  Of course, the 55° F in North Dakota that seems balmy would definitely be chilly-willy here!

So ... just how cold did it get here last night?  At least 32° F.  How do I know?

Well ... on our deck, we have a water dish for the critters.  When our chickens get loose from their chicken yard and free-range, they enjoy a drink of water from it.  The raccoons certainly make use of it at night.

This morning, this is what the water dish looked like.  Pretty normal, huh? 

But wait ... something doesn't look *quite* right about that water.   Oh look!  It's hard water!  Or at least firm enough to hold up a full bottle of beer.    Now *that's* cold.

updating status

* California Poppy needleturn applique

Well, I finally got this one finished on October 7th.  I must admit that I wasn't truly enthused about completing it, as I thought the kitted fabric for the flowers wasn't showing off the petals nicely enough.  I seem to remember the shop sample as being much more distinctive ... but then they probably used different fabrics.

I feel very pleased with the needleturn applique.

In any case, it's done and is probably going to stay in this form for foreseeable future, as I don't really have any inclination to do anything more with it.











* Continuing with the hexie quilt

Progress continues on this project.  I have a whole project case full of prepped hexies that now need to be stitched together.  If I tire of the flowers, there are interminable green background hexies to make.  And if I need anything else different to make, there are the partial green hexies to make for the edges.

So, this project is going to be around for a while.  I find this hexie project surprisingly satisfying, mainly, I believe because I'm using HUGE hexies ... they are 3-1/2" from top to bottom, so they fill up a lot of real estate fairly quickly.  I might not be so enthused about this project if the hexies were small.









* All That Glitters

I had been making great strides in this project: the top was finished on October 19th.  I thought about how to quilt it for a couple more days.  The quilting wasn't entirely intuitively obvious .. or at least, I didn't want to fall back on something tried-and-true, since I kinda wanted to do a motif that was new and different to me.

I finalized the quilting designs in all the different areas of the quilt, got the batting and the backing, then loaded the whole shebang onto the frame.  I even started the quilting (the circular feather shown in the photo on the left in green) and was feeling pretty doggone good about it.

Then .... it was put on hiatus.

I got the phone call that I have been expecting for the past 5 or 6 years: my Dad finally died.  It was October 24 at 7:22am.  He was 90 years old and died peacefully in his sleep in his home.

He had his 3rd stroke in 2005 and it was really bad.  He never really recovered from it.  When he realized that he was never going to regain his mobility nor his independence, he just gave up.   There was absolutely nothing I could do to cajole, encourage, bribe, nag, or convince him otherwise.

His end had been a long time coming and, ultimately was a relief.  He had no quality of life and was really just waiting to die to join my Mom.   Other than the standard plethora of pills that he was taking for this, that and the other, he had not been hooked up to any machines nor medications.  But his body finally gave up and I'm very, very sure he is now exceedingly happy.

Once a week since 2005, I had driven to his house to visit and then later on, to also pay his bills.  It will feel very strange not to make that weekly trip.  We had his memorial service and Celebration of Life yesterday.   Those events are supposed to provide closure and finality; I'm not entirely certain that it has.  I feel I should have done "more" for him but in what way, I have no clue.  Rest in peace, Dad.  I love both you and Mom.

hexie update: hexagon unit construction

Recently, I attended Pacific International Quilt Festival (PIQF).  One of the vendor booths was hawking a tool to help with construction of hand-pieced hexagons.  I stopped to watch.  The tool was a glue pen.  To use it, you draw a line of glue on the template and press the fabric seam allowance down so the glue holds it whilst you baste through the template and fabric.   I used to use the method (only I was using washable glue stick, instead of a pen), which I have blogged about here.   (You'll need to scroll down to the bottom of that blog entry, as I also talked about other proejcts first.)   I no longer use this technique because (for me) it creates unnecessary extra steps.

BUT ... there was one other pearl of wisdom that the vendor imparted .... she cuts her fabric as a SQUARE.

Say what?!??!   She's not cutting her fabric hexagon-shaped?!??!  What outlandish shortcut is this?!??!

Indeed, her fabric was NOT cut as a hexagon to match the template.  Yes, there was excess fabric on the back of the hexagon once the fabric was folded over.  The more I thought about it, the more I realized .... so what?  That small amount of excess "seam allowance" fabric wasn't going to amount to a hill of beans in the scheme of things when it comes to quilting.   AND it has the extra added attraction of reducing the amount of preparation steps I would need to do.  I'm all for streamlining and ease of construction!

So ... what am I talking about?   Let's see ....  (aside: I had already cut my hexie fabric into 4-1/2" strips to accommodate the acrylic template I use to cut the hexagon shapes.  This means that could not cut the fabric into *squares* because a 4-1/2" *square* wasn't big enough for a proper amount of seam allowance to fold over.  Instead, I have to cut the fabric for my templates into 4-1/2" x 5-1/2" rectangles.  The fact that I am using rectangles instead of squares makes no difference whatsoever in the construction process.)

First, look at the front of the hexies, side by side.  I realize that pictures won't let you feel the thickness of each one, but I assure you that *to me* there is negligible difference between the two.

 Once they are whip-stitched together, you can't tell there is any difference between the shape of the fabric that was originally used.

Looking at the BACK of the same units ....  oh, now THERE'S a difference you can obviously see. 

The hexie flower unit on the left was made with fabric rectangles.  The back of these hexies has more fabric covering the template than the hexie flower unit on the right, which was constructed with hexagon-shaped fabric.

Yes, the flower unit on the right looks a whole lot more tidy but once the quilt is quilted, not even the Quilt Police would be able to tell which flower unit had hexagon-shaped fabric and which ones had the rectangle-shaped fabric.

I use an acrylic template (by Darlene Zimmerman, available through EZ Quilting) to cut my paper templates and my fabric.  This is a nifty template for cutting because it allows me to choose between 5 different sizes.  To efficiently use it, you first cut your fabric (or paper, for templates) into strips, the size of which is printed on the acrylic template.

My paper templates are 3-1/2", so I cut paper strips at 3-1/2", then subcut all my paper templates.  The fabric to wrap around the paper templates uses the 4-1/2" size hexagon.  I cut fabric strips at 4-1/2" x WOF, then subcut the actual hexagon shapes using the 4-1/2" markings.

This requires me to make 4 cuts per hexagon, once the strip (of paper or fabric) is ready.  This really isn't annoying; you just  zip-zip-zip-zip around the acrylic template and you have lovely hexagons.

BUT ... that *is* 4 cuts of fabric.  After the first 2 cuts, you need to flip the template around so you can cut the other two sides.  That breaks your rhythm and takes time.  And aren't we all about saving time?  :-)

If I use a square/rectangle piece of fabric, I'm saving myself 3 cuts of fabric!  How?  Well, I still need to cut my fabric into 4-1/2" x WOF strips.  No getting around that.  But the subcuts???  Just ONE slice at 5-1/2" gives me a rectangle that is suitable for wrapping the paper hexagon template.  That's a reduction of 3 fabric slices AND I don't need to turn the template (which I'm not using) over.   This allows me to cut my fabric more quickly so I can get to the hexagon construction phase.

Here's a comparison of the hexagon construction with both shapes of fabric:

First, the "traditional" method, using hexagon-shaped fabric.  Place the paper template on top of the fabric.  I put a pin in the center to hold the two pieces together.  The seam allowances are folded over the paper edge, one by one, and I simply *hold* the fabric down whilst I take a back-stitch in each corner.  This holds the two layers of folded seam allowances down.  I do *not* go through the paper template.  I drag the thread over to the next corner and repeat the back-stitch until I am finished.  These basting stitches *stay* in the hexie.  (i.e. I do not have the extra, added step of needing to remove the basting stitches when the hexie unit is done.)

The back looks very neat and tidy, doesn't it?  :-)

When I'm using the rectangle-shaped fabric, it looks like this.  I follow the *exact* procedure as with the hexagon-shaped fabric but there is obviously excess fabric in the corners, which makes the back of the hexie unit look messy.

But, goodness gracious ... WHO is going to look at the BACK of your hexie units once the quilt is done?  Heck, no one is even going to be *able* to look at the back unless they take your quilt apart! 

For both methods, once the fabric has been basted around the paper template, I do give each hexi a pressing to flatten the fabric down and create a very crisp edge for me to whip-stitch.  Once each hexi has been pressed, each one is VERY flat.  Honestly, it's exceedingly difficult to tell the difference between the two just by feeling them.

Now, I will say that if you are going to hand quilt these hexies, you might be able to tell when you've hit the areas with the extra corner fabric.  But, I don't hand quilt.  My longarm machine will go through anything, so the extra corner fabric doesn't even figure into the quilting process.   I've done a number of hexies withe the rectangular fabric and I'm pleased enough to continue using the rectangular-shaped fabric vs the extra time & effort it takes to cut the hexagon-shaped fabric.  

The only drawback?  You need to get OVER the fact that the BACK of the hexies don't look tidy.  :-)

Here's my progress so far .... this is my "design wall"  (i.e. a king-sized black flat sheet) that I've pinned the completed hexi units onto. 

The hexie units on the left side have been sewn together into columns.  Then I realized that was a tactical mistake ... I really do need to have ALL of my hexie units available to be able to place them in a pleasing manner and also to avoid having too many of the same color scheme next to each other.  (Oh, the horror of it all, should that ever happen!) 

So, if you look to the right, you'll see the individual hexie units pinned but not sewn together  AND you'll see flower units without their background hexies stitched on .... I haven't gotten around to that right now, as I've been concentrating on stitching the flower units together.

What do I call a "hexie unit"?  .... well that is a flower unit sewn together with its background hexies.  At that point, I can place that entire unit wherever I want it to be. 

All of the hexie units interlock with each other.  This makes it very, very easy to move the units around and see what the overall color scheme looks like.

Onwards!  :-)