Victoriana Quilt Designs Quilter's Meet-n-Greet Intro

Wow ... the pressure is on!  Benita of Victoriana Quilt Designs invited me to participate in her September 2018 "Quilter's Meet -n- Greet" !   This is very exciting because you, the reader, will have a fantastic opportunity to read about and visit the blogs of all sorts of quilters.  Click on the high-lighted Meet-n-Greet link to visit all the blogs of great, participating quilters!

Benita is also having a contest with the Meet-n-Greet to encourage all of you to visit the participating blogs! You can check out the amazing prizes available here or just click on the picture to the right/

I was tickled pink!  Except that ... seeing as I have not been part of such an event before .. what do I write about?  Well, apparently, this introduction post is supposed to be just that .. and intro to me and my quilting.  Goodness gracious .. I can talk for HOURS about that topic!  (yeah .. just ask my family!)  :-)

So, where to start?  The Good Fairy of the Wizard of Oz suggested to Dorothy that is it is always best to start at the beginning .. so I shall do so.

First .. welcome!  I'm so pleased that you are here!

In the dim recesses of my memory, I have mental pictures of one of the first quilts I made.  It was circa 1970's and I made a strip quilt for the brother of my older brother's girlfriend (who he later married).  It was VERY simple, as my skills were VERY basic at that time.  It turned out to be a usable quilt and I was pleased with it.  Unfortunately, I have no pictures.

In the ensuing years, I did less quilting but MEGA amounts of garment sewing for myself and needlework.   In 1979-ish, I was married and moved into a new-to-us house.  At that time, I was subscribing to Family Circle magazine and they had an article to buy a kit which would enable to you to "make a quilt in a weekend".

one of my first quilts

Oh, stop laughing!  I *believed* them.  They wouldn't publish something that wasn't true, would they?  Well, I bought the quilt and one Friday afternoon, upon arriving home from work, I informed my new husband that I was going to be sewing all weekend and please don't interrupt or bother me.  I had a quilt to make.   Little did he realize this would be a scenario repeated ad naseum over the life of our marriage (now at 39 years!).  Poor him.  :-)

That quilt was a quilt as you go, Log Cabin.  King size.  Why a king size quilt?  Well, we had a king sized bed!!!   And you know what?  **I FINISHED THAT QUILT** by the end of Sunday evening.  It was pieced, quilted together and bound.  I had no doubt that I would accomplish the task because .. well .. the magazine SAID that I could make it in a weekend. :-)

I actually have a blog post about that quilt and you can read about the details here.

I made a *few* quilts after that but then we started a family and I returned to my garment-sewing roots and began years and years and years of making gorgeous, adorable garments for our three daughters.  Dang, I gotta say that they were the best dressed little girls in town.

But, around middle school, they decided they wanted to look more like the other girls .. fair enough .. and I greatly reduced my garment sewing .. but resumed my quilting.  It was in 2000 that we did a fairly major remodel on our house that knocked down the old, non-functional back porch and rebuilt it into a 10'x20' sewing studio for me (with an adjacent office for my home business .... when I closed that business about 15 years later, I converted that office space into my paper crafting hobby room.  No space is ever wasted!)

It was at that time .. 2000 .. that I realized that making quilts was FAR EASIER than making garments!  Dang .. no bodily curves to accommodate!   And quilts never get out grown!  Woo hoo!  I began quilting With A Vengeance.    From then, I have never stopped.

I made quilts for us, for the girls, for relatives, for gifts, for events, for no reason at all other than I liked the layout.   And I started collecting fabric suitable for quilting.  (DO NOT mention to my husband that I STILL have fabric for garments ... he doesn't quite understand the difference in fabric types!).   I now have a lovely inventory of quilting fabrics but never quite seem to have THE fabric necessary for any particular project.  How on earth is that possible?  (rhetorical question!)

I started with geometric patterns because they were the easiest to conceptualize.  Over the years, I have taken classes (both online and physical). I have expanded my skills to the point where I think I have done just about every technique .. or at least it certainly seems that way.

After not liking hand applique at all, I learned a technique from Nancy Lee Chong of Pacific Rim Quilting Company, that made me an absolute gushing Fan Girl of her technique and patterns.  Now, I will happily and contentedly do needleturn applique at the drop of a hat.

I started my concept of a Forever Project™  ... this is a long-term project that doesn't have a fixed finish date.  It gets worked on when I get around to it.  My first Forever Project was a hand embroidered throw pillow of a sitting unicorn.  It was for my oldest daughter (who was born in 1983).  It took me 10 years to finish that *small* throw pillow because I kept putting it away!  Sadly, I don't have a picture of it.  But it eventually got done and I needed something else to do.

hand stitched Cathedral Window

My second Forever Project™ was a hand stitched Cathedral Window.  I had found some fabric of my Mom's (who had passed away in 1989) and I felt very emotional and sentimental about it.  There wasn't a whole lot but I made some Cathedral Window blocks and made them the center focal point of a quilt.   It took me 7 years before I decided that it was "big enough".

After that, I had a fairly flexible mindset about Forever Project™ quilts.  Some were small, some were large.  Some took no time at all, some took years.

But always, they are projects that are hand work .. something portable .. something that I could work on in doctor's office waiting rooms, in the car on road trips, on vacations while away from my sewing machine.  And they never, ever, ever had a firm finish date.  When they got done, they got done.

I think I've done about a dozen ???? or so Forever Projects™ thus far.  They just never seem to end. :-)

I love sewing.  I LOVE quilting.  Like every other quilter I know, I have far more potential projects, UFOs, WIPs and inventory for projects than I will use in my lifetime.  But that doesn't stop me because I'M NOT A QUITTER!!  :-)

Lone Star with applique

You might be wondering about the dramatic lone star and applique quilt by my link on Victoriana Quilt Designs.  *That* quilt was a delight to make. Although the basic design is a Lone Star, the whole thing is an original design (with inspiration from a Ricky Tim's quilt) that had its ups and downs during construction.  The fabrics are hand-dyes and absolutely seem to *glow*.  It remains one of my favorites.  (and *one of these days*, I'll even get around to posting the gallery web page about it!)


I do have a web site which is a gallery of my quilts.  I started the web site as an online scrapbook of sorts to remind me what I had created and what I was thinking during that project.  Of late, I've been quite the lamer about keeping it up to date but seeing as I am feeling more energized about returning to blogging ... then my web site gallery must need to be updated as well!  And so I shall.  My quilting-specific part of my web site is The Dread Pirate Rodgers Quilting Projects.   The main site can be found at The Dread Pirate Rodgers Home Page.

Don't forget to visit all the other quilter participants of the Victoriana Quilt Designs Meet -n- Greet!

Click on the link below or the picture above for the contest!

https://www.victorianaquiltdesigns.com/fabric/

Happy quilting!

Shimmer Braid top completed ... 3 years later

Shimmer Braid
with original pieced border

Waaaaay back in 2015, I saw a post from the Fort Worth Fabric Studio, in which they were announcing a new kit available at the time.  The name of the pattern is "Shimmer Braid" and was designed by Deanna Jennings.

the standard Log Cabin blocks

I don't normally buy kits (i.e. the pattern plus fabrics) because I have a pretty extensive stash and can envision a pattern in the fabrics that I have.  But this example?  Oh. My. Gosh.  It was drop dead gorgeous.  

the uneven Log Cabin blocks

THE COLORS!!!   Purples and teals and blues and turquoises and sea green .... they sang to my heart!  I absolutely knew, beyond a shadow of a doubt that there was NOTHING in my stash that could rival this selection.  I had to have it.  So, I bought the kit .. the pattern and fabrics.

French Braid segment for interior

In time, the box arrived.  The fabrics *were* exactly as the picture portrayed.  Lordy, lordy, they were gorgeous.  But, I probably was hip-deep in other projects at the time, so it was put away.  I do remember pulling the box out from time to time over the intervening years but always put the box back on the shelf.  

There was also a Facebook group specifically for this project as a quilt-along but since I wasn't going to be working on it in 2015, I never was a part of that group.  The group still exists, if you care to look it up for pictures of the different variations that were made by the members.  They are simply breath-taking.  Quilters are SO creative and this Facebook group is no exception.

French Braid for the corners

This past July (2018), Mr. Pirate & I took a road trip in our travel trailer to see the Sisters, OR annual quilt show and to join in the celebration of a quilting friend's 50th birthday.  Since we were going to be "camped" there for about 4 days, I brought along Shimmer Braid to work on, in addition to my typical handwork.  

two of the stars in the center

Once I opened up the box and started reading the 5 part tutorials for cutting and assembly, I realized why I kept putting it back.  I was having trouble making heads or tails of the cutting directions.  I even had one of my *very* experienced quilting friends look over the directions with me, in the hopes that another set of eyes would set me straight.  But .. no ... she couldn't figure the directions out either.   Eventually, I just bundled all the fabric back into the box and brought it, unsewn, back home.

I must say, at this point, that I usually have positive posts.  I've been quilting for over 30 years and have made all kinds of different patterns.  I haven't shied away from "difficult" layouts and I've been extremely successful in creating lovely tops and quilts.  I say this because I had *serious* issues with the directions and assembly directions, as written.  For me, they were difficult to follow.  When I read the comments on the Facebook group, everyone was extremely supportive, so the only conclusion that I can come to is that *I* am in the distinct minority here and the problems in following the cutting and assembly directions must lie with me.  If so, i take full responsibility for that failing.

I also had an issue with the fabrics that were included in the kit.  There was yardage for the sashing and the background.  Fat quarter bundles were included for all the lovely focus fabric.  While the directions come right out and STRESS that if you are using fat quarters, you MUST cut all the strips along the 20"22" length, not the 18" length.  Fair enough ... good warning.  And I was very, very careful to check, double-check and triple-check that I was cutting along the correct dimension.  I was paranoid about incorrect cutting and running out of fabric (at this point, I didn't realize how much extra fabric had been included.)

the 3" stack of leftover, unused fat quarter pieces

However, even with that caution, the directions also say that one fat quarter bundle wasn't *quite* enough to yield all the pieces necessary for the top ... so ... the shop included *two* fat quarter bundles of the focus fabric so that the top could be successfully completed.  What this REALLY meant was that, when completed, there was WAAAAAAY more fat quarter pieces left over that *were not needed* but the customer had to pay for them.   My opinion is that the store should have cut the focus fabric from *yardage* instead of using precut fat quarter bundles.

Having said all of that, eventually, after all lot of gnashing of teeth, frustration and annoyance with the assembly directions, I eventually did get the top successfully pieced.  I love, *love*, LOVE the colors and the arrangement!  Except ... the outer border.  The directions have the option of sizing the top up to a queen size.  This is accomplished by adding on plain, white borders to the outside.  While this does give the quilter lots and lots and lots of white space for creative quilting, those slabs-o-borders did absolutely nothing to enhance the basic layout.  I will say that the original, smaller size is lovely and the only reason I didn't make it is because I tend to like bed-sized quilts.

So, I ignored the directions for the white slab-o-border and with the help of my reference books, made a staggered piano key border from the TONS of leftover focus fabrics.   (And there is STILL enough focus fabric fat quarters to make another decent sized quilt.)  Truthfully, I like my pieced border a whole lot better than the plain, white borders.  But *that* is a matter of personal preference and many quilters may like the plain borders precisely for the quilting opportunities.

It took me from mid-July to mid-August 2018 to complete this top .. and do note that this is still just a top.  I've made the necessary bias binding and have pinned the binding to the top (so it doesn't get lost).  The finished top is hanging neatly in a closet, with all the other tops, waiting for its turn to be quilted.  
I haven't a clue when I'll get around to quilting it but I'm sure glad it is now pieced!  It's a very large UFO off my list and has left a lovely HUGE empty space on my bookshelf!  I really to love it when I can cross a UFO off my list.
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Stash Busting Stars top finally completed

When last we met, I was working on Esther Aliu's "Stash Busting Stars" and had left you hanging at the half-stars used in the borders.  Totally my fault.  For a long while, I had been in the midst of blogging-blahs.  I was still piecing tops, but just could *not* generate the energy to take that last step to blog about it or make the web page.  I think I am emerging from that phase of ennui and feeling a renewed sense of eagerness.  Lucky you. :-)

I am pleased to share that I have FINISHED all the Stash Busting Stars that I needed for my top and then augmented the layout with some leaves and vines.  I started the first hand-pieced star in September 2016 and finished the last hand-appliqued leaf in February 2018.  The blocks themselves are machine-pieced together.

Keiko Miyauchi - June 2000

You see, waaaaay back in 2001 I bought a quilter's calendar.  Each month had an awe inspiring quilt from a master quilter.  One month truly took my breath away and when the year was over, I saved that one page for the day when I might use it as inspiration.  Well, finally, that day had arrived.   I KNEW the minute I saw Esther's stars that the intertwining vines and leaves would be PERFECT for the setting of Esther's stars.  The quilt on that calendar page was made by Keiko Miyauchy.

I had deferred the background fabric until I had made all the stars.  I wanted to let them tell me what would look good.  And they did.

I chose a soft pastel yellow .. a color that I normally don't use at all .. but it just seemed to work well with all the colors in the stars.   I had found a lovely white tone-on-tone fabric "someplace" and used Rit dye to color it that soft yellow.  The overall look-and-feel of the fabric is a very subtle pastel yellow but upon closer inspection, you can see the tone-on-tone design.   It came out perfectly. 

dyed tone on tone background fabric

Except for the binding!  I had JUST enough of the tone-on-tone that I had dyed myself for the background fabric but not enough to make the binding.  However, I wasn't concerned because I have a magic card up my sleeve!    To get the amount of yardage that I needed for the binding in the precise shade I wanted, I used the excellent services of Tammy Salzman, "Always Unique Hand Dyed Fabric".    I've used Tammy before to get the most luscious hand-dyed fabric for my appliques and have never been disappointed in the quality of her fabrics.  I sent Tammy a swatch of my dyed fabric and .. as I knew she would .. she matched it EXACTLY.   I am simply delighted.

I appliqued all the stars onto the background yellow but instead of using squares as the background shape, I intentionally used rectangles, so I would have room for my vines and leaves.

Once the rectangles of stars were sewn together into a HUGE top, then I began applying the bias binding vines and making the double-pointed leaves.  OH MY GOSH, I quickly became SO BORED with vines and leaves!  There were a gazillion of them!

Remember my inspiration photo?  Well, Keiko Miyauchy is a saint.  There was absolutely NO WAY that I could have EVER replicated her intricate design.  I was having enough trouble slogging through my pared down version!   So, my own version is a very simplified version of Keiko's.  My rationale is that I figured that I could actually FINISH my version, whereas the time required for hers was waaaaay beyond what I wanted to devote to this project!

But, eventually, after simply putting my nose to the grindstone, pulling up my big girl panties, and applique-applique-applique .. in February 2018, I put my last stitch into the last leaf.  My goodness ... the 800 lb gorilla was off my shoulders!  I didn't quite know what to do with all of my "free" time!  :-)  (Well, that feeling lasted for about 5 minutes because I have a STACK of unfinished projects to be worked on and they were all calling my name.)

I have neatly folded up the top and binding fabric and they are hanging in the closet, with all the other tops that are waiting to be quilted.  I have NO idea how I'm going to quilt this.  My Muse hasn't spoken to me ... yet. :-)

Here is my finished top .. it measures 90" x 102".